Thursday 14 November 2013

Eats shoots - and leaves

Prone as I am to indulge myself in over-punctuation, I have never felt able to become a signed-up member of the tribe of Lynne Truss, perhaps feeling that if written language is to be purged of inexactitude it requires, not just the application of punctuation marks in a far stricter fashion than ever bothered 'correct' writers in the eighteenth century, but the wilful re-spelling of many common words to ensure that the same one cannot mean both 'departs' and those green things hanging on plants.

So whilst I agree 'Eats shoots and leaves' means something quite different from 'Eats, shoots and leaves', I do not think the latter totally unambiguous and the dash in my title attempts, not entirely securely, to establish 'leaves' as a verb and not as a noun in an after-thought.

But, to get to the point, yesterday saw the announcement in one day of two pieces of momentous economic news.

The first was that a new record for the sale price of a work of art at auction had been established when Christie's sold Francis Bacon's triptych of Lucien Freud for £83 million - it hardly matters what the exact figure was. That was a lesser price than the recent private sale of Cezanne's Card Players, but, hey, it's a big number and a record, so what does it matter.


It is a further tribute to the power of language to introduce unintended interpretations that I have never been able to believe entirely in the achievements of anyone called Bacon. Perhaps it is the unfortunate meaning of a type of pig meat that does it, but I think actually it is the fact that some people persist in telling us, against all sense, that a Bacon wrote all the plays of William Shakespeare.


Francis Bacon

Nor have I ever been able to rid myself of the idea that the numerous modern members of the  tribe of Freud (including that rather dubious banker who inhabits some ill-defined circle of the British government) have been called into existence solely to provide case studies of the ideas of their illustrious Viennese progenitor.

However that may, or, more likely, may not, be, (see how the commas breed like rabbits - someone should cull them before they infect serious writing) we have a new record and an 'art market expert' (the art market, like Formula One, seems to have a gravitational attraction for confident women) was on hand to tell us that the sale demonstrated that art had become 'recession proof', by which she presumably meant just that there were now sufficient people with sufficient personal fortunes chasing a sufficiently limited supply of assets.

The other piece of news came from the graver source of the Governor of the Bank of England, who told us that the UK economic recovery had now, officially, 'taken hold' and that one no longer needed to be a certified optimist to regard the metaphorical economic glass as 'half-full'.

Time was, not so long ago, when such announcements were made by elected politicians rather than out-sourced to a foreign head-hunted head of a quasi-independent agency. Time past - or passed, but still these metaphors have to be chosen with care before being offered ceremonially to the attending multitudes.

Not so long ago one politician was consigned to life-time ridicule for affecting to identify the 'green shoots' of economic recovery prematurely. As if he were a country parson writing to The Times in February claiming to have heard the First Cuckoo of Spring when all he had actually heard was a wood pigeon. 

Back then the multitude were true believers in the rite (and right) of recovery and it was a grave offence for the high priest to offer a false augury to the people. Now few care, and the fate of a pair of modern artists whose work the populace actually finds rebarbative (never mind the art, think of the money) flutters more brain cells.

It is not so much that Dawkins has made atheists of us all as that, whilst the rich, with their yachts and bacon, have become 'recession-proof', most other people have become 'recovery-proof' in the sure and certain knowledge that, even if more people are making money again (or perhaps just the same people are making more money), it's not going to include them.

A yacht made of bacon - designed by Zaha Hadid